Afro-Cuban $1$ - перевод на Английский
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Afro-Cuban $1$ - перевод на Английский

MUSIC GENRE
Cubop; Afro Cuban jazz; Afro-Cuban Jazz; Afro-cuban jazz; Afro-Cubop; Afrobop; Cuban Jazz; Afro Cubop; Cuban jazz
  • left
  • alt=
  • [[Mongo Santamaría]] (1969)
  • Jelly Roll Morton
  • W. C. Handy aged 19, 1892

Afro-Cuban      
afro-cubano, cubano de ascendencia africana
Afro         
  • Hair pick in use
  • A young girl wearing a hairstyle of several sections of hair bound with elastics, a style called afro puffs
  • [[Angela Davis]] (center, no glasses) enters Royce Hall at UCLA for her first philosophy lecture in October 1969.
  • One of [[P. T. Barnum]]'s ''[[Circassian beauties]]'' wearing an afro
  • A young man sporting a 'Jewfro'
  • Woman with an afro
  • Global hair texture distribution
HAIRSTYLE
Jewfro; Jew-fro; Afros; JewFro; Afro (hairdo); Jew fro; Jewish afro; Afro-master (comb); Afro hair; Afro Hairstyle; Afro hairstyle; 'fro
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* Afro-American = afroamericano
* Afro-Caribbean = afrocaribeño
Cuban         
WIKIMEDIA DISAMBIGUATION PAGE
Cuban (disambiguation)
(adj.) = cubano, de Cuba
Ex: Apart from periodical articles, no other types of Cuban documents were found to get worldwide recognition as they are not generally included in the international databases = Se encontró que, aparte de los artículos de las publicaciones periódicas, ningún otro tipo de publicación cubana recibe reconocimiento mundial debido a que generalmente no están incluidas en las bases de datos internacionales.

Википедия

Afro-Cuban jazz

Afro-Cuban jazz is the earliest form of Latin jazz. It mixes Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. Afro-Cuban music has deep roots in African ritual and rhythm. Afro-Cuban jazz emerged in the early 1940s with the Cuban musicians Mario Bauzá and Frank Grillo "Machito" in the band Machito and his Afro-Cubans in New York City. In 1947, the collaborations of bebop trumpeter Dizzy Gillespie and percussionist Chano Pozo brought Afro-Cuban rhythms and instruments, such as the tumbadora and the bongo, into the East Coast jazz scene. Early combinations of jazz with Cuban music, such as "Manteca" and "Mangó Mangüé", were commonly referred to as "Cubop" for Cuban bebop.

During its first decades, the Afro-Cuban jazz movement was stronger in the United States than in Cuba.: 59  In the early 1970s, Kenny Dorham and his Orquesta Cubana de Música Moderna, and later Irakere, brought Afro-Cuban jazz into the Cuban music scene, influencing styles such as songo.